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Showing “2 Chronicles 4:3” across 4 translations, plus the original language. Read the whole chapter →
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Commentary— Tyndale Open Study Notes (plain English)
4:2-5 The Temple, the house of God, depicted Eden, the garden of God (cp. Isa 51:3). The massive Sea that rested on the backs of the twelve bronze oxen represented either cosmic pre-creation waters or the waters of life that emanated from the Garden of Eden. Divine forces subdue the waters of chaos (Gen 1:2) so that they provide life-giving nourishment for plant, animal, and human life (see Rev 21:1, where the sea is removed forever).
Commentary— Tyndale Open Study Notes (plain English)
4:2-5 The Temple, the house of God, depicted Eden, the garden of God (cp. Isa 51:3). The massive Sea that rested on the backs of the twelve bronze oxen represented either cosmic pre-creation waters or the waters of life that emanated from the Garden of Eden. Divine forces subdue the waters of chaos (Gen 1:2) so that they provide life-giving nourishment for plant, animal, and human life (see Rev 21:1, where the sea is removed forever).
Literal English (Darby)ⓘThe Darby Bible (1890) — like YLT, a deliberately literal, word-for-word translation. Used here for the Old Testament, since YLT itself only covers the New Testament.The Darby Bible (1890) — like YLT, a deliberately literal, word-for-word translation. Used here for the Old Testament, since YLT itself only covers the New Testament.
And under it was the similitude of oxen, encompassing it round about, ten in a cubit enclosing the sea round about, two rows of oxen, cast when it was cast.
Hebrew (Masoretic Text)ⓘThe Masoretic Text — the authoritative Hebrew manuscript tradition behind most Old Testaments, standardized by Jewish scribes (the Masoretes) between roughly the 7th and 10th centuries AD.The Masoretic Text — the authoritative Hebrew manuscript tradition behind most Old Testaments, standardized by Jewish scribes (the Masoretes) between roughly the 7th and 10th centuries AD.
King James VersionⓘKing James Version (1611) — the classic formal, word-for-word English translation. Historic and widely memorized, but uses Early Modern English vocabulary.King James Version (1611) — the classic formal, word-for-word English translation. Historic and widely memorized, but uses Early Modern English vocabulary.
And under it was the similitude of oxen, which did compass it round about: ten in a cubit, compassing the sea round about. Two rows of oxen were cast, when it was cast.
American Standard VersionⓘAmerican Standard Version (1901) — a more literal, precision-focused revision in the King James tradition.American Standard Version (1901) — a more literal, precision-focused revision in the King James tradition.
And under it was the likeness of oxen, which did compass it round about, for ten cubits, compassing the sea round about. The oxen were in two rows, cast when it was cast.
World English BibleⓘWorld English Bible — a modern, public-domain update to the KJV/ASV formal style, without archaic language.World English Bible — a modern, public-domain update to the KJV/ASV formal style, without archaic language.
Under it was the likeness of oxen, which encircled it, for ten cubits, encircling the sea. The oxen were in two rows, cast when it was cast.
Bible in Basic EnglishⓘBible in Basic English (1949) — deliberately written with a ~1,000-word vocabulary. Easiest to read, least precise wording.Bible in Basic English (1949) — deliberately written with a ~1,000-word vocabulary. Easiest to read, least precise wording.
And under it was a design of flowers all round it, ten to a cubit, circling the water-vessel in two lines; they were made from liquid metal at the same time as the water-vessel.