Commentary— Tyndale Open Study Notes (plain English)
2:14 In the dramatic view, the couple is playing a game of hide-and-seek in which she is teasing him; he resorts to simply pleading for her to appear, for even playful separation from her is too frustrating for him. • The rocks are a metaphor for separation that the man wants to overcome to be with her.
Commentary— Tyndale Open Study Notes (plain English)
2:14 In the dramatic view, the couple is playing a game of hide-and-seek in which she is teasing him; he resorts to simply pleading for her to appear, for even playful separation from her is too frustrating for him. • The rocks are a metaphor for separation that the man wants to overcome to be with her.
Literal English (Darby)ⓘThe Darby Bible (1890) — a deliberately literal, word-for-word translation used here as the Old Testament comparison text.The Darby Bible (1890) — a deliberately literal, word-for-word translation used here as the Old Testament comparison text.
My dove, in the clefts of the rock, In the covert of the precipice, Let me see thy countenance, let me hear thy voice; For sweet is thy voice, and thy countenance is comely.
Hebrew (Masoretic Text)ⓘThe Masoretic Text — the authoritative Hebrew manuscript tradition behind most Old Testaments, standardized by Jewish scribes (the Masoretes) between roughly the 7th and 10th centuries AD.The Masoretic Text — the authoritative Hebrew manuscript tradition behind most Old Testaments, standardized by Jewish scribes (the Masoretes) between roughly the 7th and 10th centuries AD.
King James Version (1611) — the classic formal, word-for-word English translation. Historic and widely memorized, but uses Early Modern English vocabulary.
King James Version (1611) — the classic formal, word-for-word English translation. Historic and widely memorized, but uses Early Modern English vocabulary.
¶ O my dove, that art in the clefts of the rock, in the secret places of the stairs, let me see thy countenance, let me hear thy voice; for sweet is thy voice, and thy countenance is comely.
American Standard VersionⓘAmerican Standard Version (1901) — a more literal, precision-focused revision in the King James tradition.American Standard Version (1901) — a more literal, precision-focused revision in the King James tradition.
O my dove, that art in the clefts of the rock, In the covert of the steep place, Let me see thy countenance, Let me hear thy voice; For sweet is thy voice, and thy countenance is comely.
World English BibleⓘWorld English Bible — a modern, public-domain update to the KJV/ASV formal style, without archaic language.World English Bible — a modern, public-domain update to the KJV/ASV formal style, without archaic language.
My dove in the clefts of the rock, in the hiding places of the mountainside, let me see your face. Let me hear your voice; for your voice is sweet and your face is lovely.
Bible in Basic EnglishⓘBible in Basic English (1949) — deliberately written using a limited vocabulary of about 1,000 words.Bible in Basic English (1949) — deliberately written using a limited vocabulary of about 1,000 words.
O my dove, you are in the holes of the mountain sides, in the cracks of the high hills; let me see your face, let your voice come to my ears; for sweet is your voice, and your face is fair.