Showing “Song of Solomon 5:2” across 4 translations, plus the original language. Read the whole chapter →
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Commentary— Tyndale Open Study Notes (plain English)
5:2–6:3 One verse earlier, the couple are fully enjoying their intimate union. Now the woman feels the torment of separation. In the dramatic interpretation, the woman has been separated from the man twice before and has searched for him (1:4-7; 3:1-4). This last time, the separation takes place in her dreams—it is only a nightmare. Her dream seems to extend to 6:3, given the natural flow of questions and answers between the woman and the young women of Jerusalem. • If the Song is an anthology, these poems explore love rather than giving accounts of actual events. This poem reminds us that an intimate relationship is not always easy or perfectly satisfying. 5:2 I slept, but my heart was awake: This is an apt definition of a dream; she was physically asleep, but emotionally and psychologically awake. • my lover knocking . . . “Open to me”: Opening doors is a metaphor for sexual activity in the ancient Near East (see also 8:9). By describing the man as knocking at the door and requesting entry, the poem suggests that the man is requesting sexual union. He awaits permission; he does not presume.
Literal English (Darby)ⓘThe Darby Bible (1890) — like YLT, a deliberately literal, word-for-word translation. Used here for the Old Testament, since YLT itself only covers the New Testament.The Darby Bible (1890) — like YLT, a deliberately literal, word-for-word translation. Used here for the Old Testament, since YLT itself only covers the New Testament.
I slept, but my heart was awake. The voice of my beloved! he knocketh: Open to me, my sister, my love, my dove, mine undefiled; For my head is filled with dew, My locks with the drops of the night.
Hebrew (Masoretic Text)ⓘThe Masoretic Text — the authoritative Hebrew manuscript tradition behind most Old Testaments, standardized by Jewish scribes (the Masoretes) between roughly the 7th and 10th centuries AD.The Masoretic Text — the authoritative Hebrew manuscript tradition behind most Old Testaments, standardized by Jewish scribes (the Masoretes) between roughly the 7th and 10th centuries AD.
King James VersionⓘKing James Version (1611) — the classic formal, word-for-word English translation. Historic and widely memorized, but uses Early Modern English vocabulary.King James Version (1611) — the classic formal, word-for-word English translation. Historic and widely memorized, but uses Early Modern English vocabulary.
¶ I sleep, but my heart waketh: it is the voice of my beloved that knocketh, saying, Open to me, my sister, my love, my dove, my undefiled: for my head is filled with dew, and my locks with the drops of the night.
American Standard VersionⓘAmerican Standard Version (1901) — a more literal, precision-focused revision in the King James tradition.American Standard Version (1901) — a more literal, precision-focused revision in the King James tradition.
I was asleep, but my heart waked: It is the voice of my beloved that knocketh, saying, Open to me, my sister, my love, my dove, my undefiled; For my head is filled with dew, My locks with the drops of the night.
World English Bible — a modern, public-domain update to the KJV/ASV formal style, without archaic language.
World English Bible — a modern, public-domain update to the KJV/ASV formal style, without archaic language.
I was asleep, but my heart was awake. It is the voice of my beloved who knocks: “Open to me, my sister, my love, my dove, my undefiled; for my head is filled with dew, and my hair with the dampness of the night.”
Bible in Basic EnglishⓘBible in Basic English (1949) — deliberately written with a ~1,000-word vocabulary. Easiest to read, least precise wording.Bible in Basic English (1949) — deliberately written with a ~1,000-word vocabulary. Easiest to read, least precise wording.
I am sleeping, but my heart is awake; it is the sound of my loved one at the door, saying, Be open to me, my sister, my love, my dove, my very beautiful one; my head is wet with dew, and my hair with the drops of the night.