Commentary— Tyndale Open Study Notes (plain English)
2:8-17 In this poem, the woman anticipates the arrival of her lover. She describes the passing of winter and the coming of spring, a time of floral fragrance and new beginnings. She and her lover are in their country garden, a place of intimacy, though even here there is a hint of threat (2:15). 2:8-10 The man ardently desires to be in the woman’s presence. He finally arrives at his lover’s home and takes her into the romantic countryside during the new, budding spring. • The woman compares the man to a gazelle, a fast, sleek animal that easily overcomes obstacles to reach its destination.
Commentary— Tyndale Open Study Notes (plain English)
2:8-17 In this poem, the woman anticipates the arrival of her lover. She describes the passing of winter and the coming of spring, a time of floral fragrance and new beginnings. She and her lover are in their country garden, a place of intimacy, though even here there is a hint of threat (2:15). 2:8-10 The man ardently desires to be in the woman’s presence. He finally arrives at his lover’s home and takes her into the romantic countryside during the new, budding spring. • The woman compares the man to a gazelle, a fast, sleek animal that easily overcomes obstacles to reach its destination.
Literal English (Darby)ⓘThe Darby Bible (1890) — a deliberately literal, word-for-word translation used here as the Old Testament comparison text.The Darby Bible (1890) — a deliberately literal, word-for-word translation used here as the Old Testament comparison text.
The voice of my beloved! Behold, he cometh Leaping upon the mountains, Skipping upon the hills.
Hebrew (Masoretic Text)ⓘThe Masoretic Text — the authoritative Hebrew manuscript tradition behind most Old Testaments, standardized by Jewish scribes (the Masoretes) between roughly the 7th and 10th centuries AD.The Masoretic Text — the authoritative Hebrew manuscript tradition behind most Old Testaments, standardized by Jewish scribes (the Masoretes) between roughly the 7th and 10th centuries AD.
King James VersionⓘKing James Version (1611) — the classic formal, word-for-word English translation. Historic and widely memorized, but uses Early Modern English vocabulary.
King James Version (1611) — the classic formal, word-for-word English translation. Historic and widely memorized, but uses Early Modern English vocabulary.
¶ The voice of my beloved! behold, he cometh leaping upon the mountains, skipping upon the hills.
American Standard VersionⓘAmerican Standard Version (1901) — a more literal, precision-focused revision in the King James tradition.American Standard Version (1901) — a more literal, precision-focused revision in the King James tradition.
The voice of my beloved! behold, he cometh, Leaping upon the mountains, Skipping upon the hills.
World English BibleⓘWorld English Bible — a modern, public-domain update to the KJV/ASV formal style, without archaic language.World English Bible — a modern, public-domain update to the KJV/ASV formal style, without archaic language.
The voice of my beloved! Behold, he comes, leaping on the mountains, skipping on the hills.
Bible in Basic EnglishⓘBible in Basic English (1949) — deliberately written using a limited vocabulary of about 1,000 words.Bible in Basic English (1949) — deliberately written using a limited vocabulary of about 1,000 words.
The voice of my loved one! See, he comes dancing on the mountains, stepping quickly on the hills.